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Hands On! (1993)

for percussion quartet

"...high octane stuff..." -- Philadelphia Inquirer

Scoring

percussion quartet

Duration

8 Minutes

Recording

Album Title

Michael Fiday: Same Rivers Different

Label

Innova Recordings [product id: INNOVA716]

Sound File

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Commissioned by

Slagwerkgroep Den Haag

Performances

Upcoming

Past

All

Past performances are listed in reverse chronological order, with the most recent at the top.

Monday, April 15, 2013 at 8:00 PM

 

USC Percussion Ensemble

Hands On! performed by USC Percussion Ensemble, University of Southern California, Thornton School of Music, Newman Recital Hall, 8 pm.

April 2009 (date TBA)

Waco, TX 

Soon Cho – mezzo soprano
Baylor Percussion Ensemble

Saturday, November 22, 2008

Waco, TX 

Baylor Percussion Ensemble

Saturday, March 29, 2008

Miami, FL 

Two works will be featured on the F(X) Marathon concert in Miami, Florida
Same Rivers Different, performed by percussionist Justin Wolf
and
Hands On! performed by Mantra Percussion Quartet.

The concert lasts from noon to midnight, and will take place that the SUYU Cultural Affairs Center in North Miami.

Thursday, March 30, 2006

Rochester, NY 

Eastman Contemporary Percussion Ensemble

Eastman School of Music
Rochester, NY 

Saturday, January 8, 2005

Cincinnati, OH 

CCM Percussion Ensemble

Corbett Auditorium
Cincinnati Conservatory of Music
Cincinnati, OH 

December 3rd - 5th, 2004

Cincinnati, OH 

performed live with dance in Goat, Slunk, Kip and Steer by choreographer Shellie Cash

CCM Percussion Ensemble

Corbett Auditorium
Cincinnati Conservatory of Music
Cincinnati, OH 

Sunday, May 9, 1993

Lieden, Netherlands 

Slagwerkgroep Den Haag

De Waag
Lieden, Netherlands 

Program Notes

Hands On! was originally composed in 1993 for the Dutch percussion ensemble Slagwerkgroep Den Haag, who premiered it in a series of "stokkenthuis" concerts in which the players were forbidden to use drum sticks. All 4 players play the same instruments: congas, bongos, tambourine, hi-hat cymbal - all instruments usually played with either hands or feet. In addition, two of the players share a vibraphone, which is also played by the hands instead of with the customary mallets. The vibraphone functions entirely as a 'resonance' instrument, it's occasional entrances always masked by sharper, louder playing on other instruments - like momentary shades of blue peeking out behind a backdrop of darker, more aggressive lines. As the work unfolds the vibraphone also reveals a thin strand of a chord progression - all in the context of what is basically a rhythm-based music. Certain aspects of Hands On! were inspired by surface features of both Indian and West African drumming. The work was composed under the auspices of a Fulbright grant, and is dedicated to Louis Andriessen.

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